Kamala Harris just made it official—her career in politics is over, and she’s running straight into the loving arms of Hollywood. Signing with Creative Artists Agency (CAA), the same talent powerhouse that represents Joe Biden, Barack Obama, and half of woke Hollywood, Harris has all but confirmed what we already knew: she was never in politics for the people. It was always about the cameras, the applause, and the next big stage.

Nobody should be surprised. Harris spent four years in the White House botching every assignment given to her—from fixing the border crisis (which she never actually visited) to giving speeches so cringeworthy they made middle school debate teams look sophisticated. Now, after an embarrassing vice presidency and a failed attempt to become the Democratic frontrunner, she’s pivoting to what Democrats do best: making a career out of being famous for nothing.

This isn’t a one-off move. It’s part of a growing trend of Democratic elites trading in their political careers for lucrative Hollywood deals. Joe Biden, fresh off his own disastrous presidency, also signed with CAA, following in the well-manicured footsteps of the Obamas. The formula is simple: spend years pushing leftist policies, watch the country fall apart, and then retire to a cushy Hollywood career where you can lecture Americans from a Malibu mansion.

Harris has always had deep Hollywood ties. Her husband, Doug Emhoff, is an entertainment lawyer who has spent years rubbing elbows with media executives and industry elites. These connections made it easy for her to step into this new role, reinforcing the uncomfortable truth that today’s Democratic Party is just an extension of the entertainment industry.

The speed of this transition is also telling. Less than a month out of office, Harris is already inking deals and plotting her next act. It raises the obvious question—was she ever serious about governing, or was this the plan all along? Americans struggling under the policies of the Biden-Harris administration don’t have the luxury of seamlessly transitioning to a multi-million-dollar media career.

Democrats love to paint themselves as fighters for the working class, yet the second they’re out of office, they cash in. Harris didn’t even bother with the typical post-office “reflection period.” No book about lessons learned, no deep thinking about how her administration failed, just a straight shot into the entertainment industry. It’s as if she spent four years playing the role of Vice President rather than actually being one.

The move also raises questions about her future ambitions. Some might argue she’s just keeping herself in the spotlight for another run at the White House, but this looks more like an escape plan. If she was serious about politics, she’d be working on policy, rebuilding her political reputation, or doing anything remotely related to governance. Instead, she’s signing up with the same people who represent A-list actors and washed-up reality stars.

Nothing about this is normal for a former Vice President. Imagine if Mike Pence had retired and immediately signed with a talent agency. The media would have lost its mind. But because Harris is a darling of the left, her jump into Hollywood is treated like an inspiring career move instead of what it really is: an embarrassing admission that she was never built for real leadership.

Harris’s Hollywood pivot should be a wake-up call. The Democratic Party isn’t about governing; it’s about power, influence, and media control. Their politicians don’t retire to quiet public service—they turn into celebrities, get Netflix deals, and collect six-figure speaking fees to tell you how oppressed they are.

This isn’t leadership. It’s an audition for the next act. The question now is what role Harris will play—activist, talk show host, or just another failed politician who got rich selling leftist ideology to the entertainment elite. Whatever the case, one thing is clear: Kamala Harris was never serious about leading America. She was just waiting for the cameras to roll.